Working with Heritage Regulations in Sydney and Melbourne
- Touring the Past

- Jan 5, 2020
- 3 min read
Updated: Oct 18

Managing Change, Not Freezing Time
Municipal rules aren’t new. As The Past and Future City (Stephanie Meeks and Kevin C. Murphy, 2016) reminds us, even ancient Assyria had planning edicts:
If ever any person living in the city pulls down his old house and builds a new and the foundations of that house encroaches on the royal processional way, they shall hang that man upon a stake over his own house.
By comparison, even the prickliest design review in Melbourne or regional Victoria feels positively humane.
What Are We Trying to Protect?
Across the inner suburbs of Sydney and Melbourne, and in regional centres like Ballarat, Maitland, or Geelong, the framework for managing heritage places has grown dense. That density isn’t inherently wrong—without it, the qualities that make a Carlton corner pub, a Paddington shopfront, or a Federation villa in Bendigo special could be lost quickly.
But complexity can blur purpose. The aim isn’t to ossify buildings. It’s to steward meaning—to keep places alive and legible as the cities around them evolve.
From Policing Details to Managing Significance
Too often, heritage debate collapses into surface matters: timber versus timber-look windows, an assertion of 'visual dominance'. Those checks have their place, but they’re not the core of the work. The better first questions are:
What is significant here? How is that significance experienced—from the street, the room, the landscape? How can new work clarify, not compete?
The most convincing projects read the grain of the place and respond with calm precision. A quiet addition behind a Paddington terrace that keeps the rhythm of the roofline; a Marrickville warehouse conversion that holds onto its sawtooth roof and underlying logic; a Fitzroy laneway studio that defers to the massing of its bluestone neighbour. These are not acts of imitation—they are acts of interpretation and respect.

Performance Over Posture
A performance-based approach is more useful than a style checklist. Instead of asking 'is this compliant?' ask:
Does the proposal make the place easier to understand?
Does it keep the most telling fabric working—structurally, spatially, and visually?
Does it improve long-term viability—maintenance, sustainability, adaptability—without flattening the story?
Talk About Why, Not Just What
Public trust grows when we explain why a place matters—what episode of Sydney’s or Melbourne’s layered history it reveals, which craft traditions it carries, which community practices it still hosts. A Brunswick warehouse might speak of early industry and migrant labour; a Paddington terrace might tell of density, domesticity, and adaptation.
If owners, architects, and assessors stay focused on those stories, the conversation around design becomes clearer and less adversarial. People can accept change when they can see the continuity.
Park Your Taste at the Door
Personal preferences are tempting shortcuts—'I just don’t like Monument', 'that design is too modish'. They’re also the quickest way to lose credibility. Heritage advice earns trust when it rests on values and evidence, not taste.
Whether it’s a rear addition in North Fitzroy or a shopfront reinvention in Newtown, the goal is the same: legibility and longevity. Design should clarify what is significant, allow new work to read as contemporary but responsive, and ensure the story of the place remains whole.
Beyond the Rulebook
When managing places imbued with meaning, our thinking must reach beyond the boundaries set by heritage design guidelines and policies. These instruments provide structure, but they can’t account for the layered values, memories, and cultural associations that give a place its depth. Good heritage work treats policy as a guardrail, not a script. The craft lies in reading the site, understanding its logic, and finding the most honest way to continue its story.
In Sydney, that might mean a quiet addition that keeps the roof rhythm of a Glebe cottage; in Melbourne, a restrained rear volume that allows an Edwardian gable to remain the dominant street gesture. Across both cities—and in every regional town that treasures its past—the principle is the same: manage change around significance, design with integrity, communicate the why, and measure success by clarity and endurance, not costume accuracy.



Comments